Dramatic Monologues Essay -- essays papers

Dramatic MonologuesThe hammy monologue features a speaker talking toa silent listener about a dramatic event or experience. The use ofthis technique affords the reader an intimate knowledge of thespeakers changing thoughts and feelings. In a sense, thepoet brings the reader inside the mind of the speaker.(Glenn Everett online) Like a sculpturer pressing clay to form a man, a writer can create a persona with words. E rattling stroke of his hand becomes his or her own style, slowly creating this stone image. A dramatic monologue is an ideal opportunity for a poet to unveil a character. A dramatic monologue is a species of lyric poem in which the speaker is a persona created by the poet the speakers character is revealed unintentionally through his or her attitudes in the dramatic situation. This persona must be identified, but not named. He or she can be a real person, an imaginary character, an historical or literary figure in essence, anyone except the poet or a neutral voice. The writer does this through non-homogeneous techniques within a dramatic monologue by using mood, diction and tomography to mold the character before the readers eyes.Firstly, by creating a certain mood, the writer attempts to give his or her reader a particular feeling. This, in turn, reveals new brainwave to a side of the character that the reader has yet to discover.In William Butler Yeats poem, An Irish Airman Foresees His Death, Yeats adds a very distinct mood to the clay that creates this airman. This man, who very obviously sees no meaning in either his life or his death, speaks carelessly about his non existent self-worth. This creates a dark and depressing atmosphere for the reader. In the finishing lines of this poem, Yeats writes... ... and Atwood manipulate to achieve a similar goal the unveiling of their character. In much the same way that a sculptor molds clay, the writer uses mood, diction and imagery to shape its characters. Through a dramatic monologue the poet allows the reader to not only envision the characters in their physical forms, but feels their pain, celebrates their triumphs and journeys with them throughout their various dramatic experiences. Works CitedAtwood, Margeret. Journals of Susanna Moodie Macmillan of Canada, 1980.Johnson, Pauline. Flint and Feather McCelland and Stewart, 1972.Kennedy, Ronald. The Yeats Reader Dundurn, 1968.Landy, Alice, Martin, Dave. The Heath Introduction to Literature Canadian Edition, Heath and Company, 1980.http//www.stg.brown.edu/projects/hypertext/landow/victorian/rb/dm1.htmlhttp//www.uvic/writersguide/eng/dramatic.mono.com